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Happy Halloween!

Happy Halloween! Cam had a fantastic time tonight at grandpa Paul’s. He learned very quickly that the following steps resulted in delicious rewards:

  1. Push “the button” (doorbell) on a house.
  2. Act cute when the homeowner opens the door.
  3. Receive treat.
  4. Repeat at next house.

After each stop, Cam would shout “Bumpa, more?” and head to the next house. We only hit about 10 houses, but I’m positive Cam could’ve hit at least twice that many before he even started to slow down. We’ve got some pictures of the event on our photos page.

Cam sings Jesus Loves Me

Back by popular demand (?), Cam lends his vocal chops to one of his favorite bedtime songs:

Any interested record producers can email offers to me directly.

Step Brothers

The Skinny:
Will Ferrell and John C. Reilly, two immature 40-year-olds who still live at home, unwillingly become stepbrothers when their parents marry.

The Good:
I think Will and John’s chemistry is nothing short of comedy magic, and it’s a riot to watch them act like 12-year-olds for about 95% of the film. I have to guess that most of their dialog was improvised, and the jokes-to-laughs ratio was pretty high.

I also really enjoyed Adam Scott’s performance as Will’s successful and completely egotistical brother. There’s a fantastic scene where Adam and his family are driving, and Adam leads his wife and two kids in an acapella rendition of Sweet Child of Mine. It was especially humorous to me when Adam turns to his wife and asks her to do a solo, and she participates with absolutely no enthusiasm, prompting him to harass her about all the money they’ve wasted on vocal lessons (see video here). I liked that because I often sing along to the radio and put my microphone (clenched fist) in front of Aimee to join me, and she has about the same level of enthusiasm.

The Bad:
I think the film relies too much on Will and John’s antics to keep things interesting. So when the two leads aren’t on screen, the energy level of the entire film gets dropped a few notches, and it becomes apparent that there isn’t a good story driving things along. This is especially true in the obligatory scenes where Will and John attempt to act like mature adults. Those scenes feel like an afterthought, and it’s pretty clear the writers - and audience - can’t wait for the boys to get back to doing what they do best: being morons.

The Ugly:
When Will moves into John’s house, John makes it very clear that he doesn’t want Will touching his drum set. When Will violates that rule, he really, really violates it. Key word: violate.

The Bottom Line:
Worth it for Will and John’s scenes, but little else.

Score:

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Elmo’s potty training DVD

Most of the time, I can tolerate - and actually enjoy - Cam’s favorite movies. Finding Nemo, The Incredible, Cars…all dandy choices! But once in a while Cam likes to pull out the Elmo potty training DVD, and when the program gets to a certain point where the kids talk about their favorite terms for “pee pee” and “poo poo,” I start to get mentally unstable…

Funny Games

The Skinny:
Two men take a family captive in their cabin.

The Good:
Well, I watched this movie last night and have a hard time saying what’s “good” about it without sounding like I recommend the movie (I don’t). But there are certain aspects of the film that are really sticking with me, even today, and to me that’s a sign of a “good” movie.

Without spoiling anything, I think I can say that the way the “capture” of the family takes place is interesting. The two villains come to the family peacefully and politely, and gradually turn things into a hostile situation. And the way the villains deal with the family is unconventional, as their motives are unclear.

I also enjoyed the music - or lack thereof. Typically in thriller movies, the soundtrack kicks in to say, “Hey audience, I bet you didn’t recognize that this hide-and-seek scene is meant to be tense, so we’re gonna screech some violins to drive home that point!” But if I’m not mistaken, Funny Games only has some music at the beginning and end, and that’s it. I can’t think of any film in recent memory that does that and still has some decent scares.

Finally, the pacing/timing of many of the scenes, combined with the way those scenes were shot, were very effective too. Again, going back to typical thrillers, they often use loud music, jerky camera movements and predictable scares to evoke emotion. In Funny Games, there are many scenes where the camera is focused in one place for several minutes at a time while a character tries to figure something out or escape. So the constant feeling of “Oh my gosh, are the bad guys gonna walk in on this?” was pretty strong.

The Bad:
It seems clear early on in the film that the filmmakers are scolding the audience for watching the family’s unfortunate situation, as one of the villains breaks “the fourth wall” and reprimands the audience a few times. That’s an interesting approach to take, however, the idea is never really followed up on or integrated into the film in an effective way, so it just seems more of a distraction/annoyance than anything else.

On that note, the film reminded me of the Saw series in that the villains offered the family to participate in “games” for their survival. And although I found myself caring quite a bit about the family’s well-being, the games were poorly executed and, like breaking the fourth wall, never became an integral part of the story.

The Ugly:
There is a moment in which time is reversed and a scene is played over again, and though elaborating would ruin a key point in the story, I felt totally cheated afterward, and was tempted to just walk away.

The Bottom Line:
Though the film seems to want to send a message to the audience about being ashamed for watching other people endure pain, the message wasn’t consistent, which resulted in an unbalanced final project. I think if they took the preachy stuff out and reworked some of the scenes (and ending!) a little, this would have been a really great unconventional thriller!

Score:

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  • Random Images:

    Cameron - December 06
    Cameron - December 06